![]() To confuse the matter more, the FX switch had a push/pull switch to give it more tops at lower volumes. To get the most of this amp you need to wind up the front volume to at least 11 O’clock which is loud but sounds great. As soon as you wind it down past 12 O’clock the amp sounded very average. The FX Loops was also a master volume control. ![]() I tried it in different positions and all it did was take away what little high end the amp actually had. I knew it would soon hit eBay and it’d be gone. I snapped up the head and box and took it home and compared it with my Deluxe Reverb 65 Reissue and was blown away at how “thick” the tone was.Īfter about a year of use, I had a few things about the amp I couldn’t really deal with or simply didn’t like. I figured a hand-wired, USA made, “boutique” amplifier voiced with more thick mid frequencies was just what the doctor ordered. I didn’t quite find the thick tone I was after, even though my tone was great, I wanted something more. I’ve had a Twin, Deluxe Reverb 65 Reissue (which I still own), Super-Sonic 60, Hot Rod Deville, Hot Rod Deluxe, Blues Deluxe Reissue and a bunch of other brands including Vox, Laney, Traynor and more. I had always been a Fender guy on the most part. I was a fan of Mayer, Schofield and later on Eric Gales who’s tones all totally rocks as does their playing. Since then, I waited patiently for them to make their way to Australia. I was always very interested in the Two-Rock amplifier company since I first saw an old video of John Mayer playing his signature model at their warehouse. My Two-Rock Studio Pro 22 Retrospective Review
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